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Add another poet to your must-read list. Ellen Bass is a contemporary poet currently living in Oregon and teaching at Pacific University. She is the author of three poetry collections and several other books meant to empower the LGBTQIA+ community and survivors of sexual abuse. Her poetry itself resounds with an unconventional wisdom, to match her verse’s delightful unexpected imagery. Read for yourself.
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When they laid you in the crook
of my arms like a bouquet and I looked
into your eyes, dark bits of evening sky,
I thought, of course this is you,
like a person who has never seen the sea
can recognize it instantly.
They pulled you from me like a cork
and all the love flowed out. I adored you
with the squandering passion of spring
that shoots green from every pore.
You dug me out like a well. You lit
the deadwood of my heart. You pinned me
to the earth with the points of stars.
I was sure that kind of love would be
enough. I thought I was your mother.
How could I have known that over and over
you would crack the sky like lightning,
illuminating all my fears, my weaknesses, my sins.
Massive the burden this flesh
must learn to bear, like mules of love.
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What if you knew you’d be the last
to touch someone?
If you were taking tickets, for example,
at the theater, tearing them,
giving back the ragged stubs,
you might take care to touch that palm,
brush your fingertips
along the life line’s crease.
When a man pulls his wheeled suitcase
too slowly through the airport, when
the car in front of me doesn’t signal,
when the clerk at the pharmacy
won’t say Thank you, I don’t remember
they’re going to die.
A friend told me she’d been with her aunt.
They’d just had lunch and the waiter,
a young gay man with plum black eyes,
joked as he served the coffee, kissed
her aunt’s powdered cheek when they left.
Then they walked half a block and her aunt
dropped dead on the sidewalk.
How close does the dragon’s spume
have to come? How wide does the crack
in heaven have to split?
What would people look like
if we could see them as they are,
soaked in honey, stung and swollen,
reckless, pinned against time?
Bass has a knack for stanch honesty, the kind the grabs you by the front of your shirt and forces you to open your eyes and stare at the reality of things, as they are, whether it be uncomfortable, dirty, crippling.
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Bad things are going to happen.
Your tomatoes will grow a fungus
and your cat will get run over.
Someone will leave the bag with the ice cream
melting in the car and throw
your blue cashmere sweater in the drier.
Your husband will sleep
with a girl your daughter’s age, her breasts spilling
out of her blouse. Or your wife
will remember she’s a lesbian
and leave you for the woman next door. The other cat–
the one you never really liked–will contract a disease
that requires you to pry open its feverish mouth
every four hours. Your parents will die.
No matter how many vitamins you take,
how much Pilates, you’ll lose your keys,
your hair and your memory. If your daughter
doesn’t plug her heart
into every live socket she passes,
you’ll come home to find your son has emptied
the refrigerator, dragged it to the curb,
and called the used appliance store for a pick up–drug money.
There’s a Buddhist story of a woman chased by a tiger.
When she comes to a cliff, she sees a sturdy vine
and climbs half way down. But there’s also a tiger below.
And two mice–one white, one black–scurry out
and begin to gnaw at the vine. At this point
she notices a wild strawberry growing from a crevice.
She looks up, down, at the mice.
Then she eats the strawberry.
So here’s the view, the breeze, the pulse
in your throat. Your wallet will be stolen, you’ll get fat,
slip on the bathroom tiles of a foreign hotel
and crack your hip. You’ll be lonely.
Oh taste how sweet and tart
the red juice is, how the tiny seeds
crunch between your teeth.
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Ellen Bass reminds us not to fear life, while simultaneously recognizing life is to be feared. She seizes the complexity and hardship and living and puts it into images we can hold on to.
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