HAPPY MOTHER'S DAY!
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1. [Sonnets are full of love, and this my tome]
Sonnets are full of love, and this my tome
Has many sonnets: so here now shall be
One sonnet more, a love sonnet, from me
To her whose heart is my heart’s quiet home,
To my first Love, my Mother, on whose knee
I learnt love-lore that is not troublesome;
Whose service is my special dignity,
And she my loadstar while I go and come
And so because you love me, and because
I love you, Mother, I have woven a wreath
Of rhymes wherewith to crown your honored name:
In you not fourscore years can dim the flame
Of love, whose blessed glow transcends the laws
Of time and change and mortal life and death.
Has many sonnets: so here now shall be
One sonnet more, a love sonnet, from me
To her whose heart is my heart’s quiet home,
To my first Love, my Mother, on whose knee
I learnt love-lore that is not troublesome;
Whose service is my special dignity,
And she my loadstar while I go and come
And so because you love me, and because
I love you, Mother, I have woven a wreath
Of rhymes wherewith to crown your honored name:
In you not fourscore years can dim the flame
Of love, whose blessed glow transcends the laws
Of time and change and mortal life and death.
Christina Rossetti
2. Song
You are as gold
as the half-ripe grain
that merges to gold again,
as white as the white rain
that beats through
the half-opened flowers
of the great flower tufts
thick on the black limbs
of an Illyrian apple bough.
Can honey distill such fragrance
As your bright hairĂ³
For your face is as fair as rain,
yet as rain that lies clear
on white honey-comb,
lends radiance to the white wax,
so your hair on your brow
casts light for a shadow.
H.D.
3. Not Here
Searching for pillowcases trimmed
with lace that my mother-in-law
once made, I open the chest of drawers
upstairs to find that mice
have chewed the blue and white linen
dishtowels to make their nest,
and bedded themselves
among embroidered dresser scarves
and fingertip towels.
Tufts of fibers, droppings like black
caraway seeds, and the stains of birth
and afterbirth give off the strong
unforgettable attar of mouse
that permeates an old farmhouse
on humid summer days.
A couple of hickory nuts
roll around as I lift out
the linens, while a hail of black
sunflower shells
falls on the pillowcases,
yellow with age, but intact.
I’ll bleach them and hang them in the sun
to dry. There’s almost no one left
who knows how to crochet lace....
The bright-eyed squatters are not here.
They’ve scuttled out to the fields
for summer, as they scuttled in
for winter—along the wall, from chair
to skirted chair, making themselves
flat and scarce while the cat
dozed with her paws in the air,
and we read the mail
or evening paper, unaware.
Jane Kenyon
4. My Mother on an Evening in Late Summer
1
When the moon appears
and a few wind-stricken barns stand out
in the low-domed hills
and shine with a light
that is veiled and dust-filled
and that floats upon the fields,
my mother, with her hair in a bun,
her face in shadow, and the smoke
from her cigarette coiling close
to the faint yellow sheen of her dress,
stands near the house
and watches the seepage of late light
down through the sedges,
the last gray islands of cloud
taken from view, and the wind
ruffling the moon’s ash-colored coat
on the black bay.
2
Soon the house, with its shades drawn closed, will send
small carpets of lampglow
into the haze and the bay
will begin its loud heaving
and the pines, frayed finials
climbing the hill, will seem to graze
the dim cinders of heaven.
And my mother will stare into the starlanes,
the endless tunnels of nothing,
and as she gazes,
under the hour’s spell,
she will think how we yield each night
to the soundless storms of decay
that tear at the folding flesh,
and she will not know
why she is here
or what she is prisoner of
if not the conditions of love that brought her to this.
3
My mother will go indoors
and the fields, the bare stones
will drift in peace, small creatures --
the mouse and the swift -- will sleep
at opposite ends of the house.
Only the cricket will be up,
repeating its one shrill note
to the rotten boards of the porch,
to the rusted screens, to the air, to the rimless dark,
to the sea that keeps to itself.
Why should my mother awake?
The earth is not yet a garden
about to be turned. The stars
are not yet bells that ring
at night for the lost.
It is much too late.
Mark Strand
5. The Intruder
My mother—preferring the strange to the tame:
Dove-note, bone marrow, deer dung,
Frog’s belly distended with finny young,
Leaf-mold wilderness, harebell, toadstool,
Odd, small snakes roving through the leaves,
Metallic beetles rambling over stones: all
Wild and natural!—flashed out her instinctive love, and quick, she
Picked up the fluttering, bleeding bat the cat laid at her feet,
And held the little horror to the mirror, where
He gazed on himself, and shrieked like an old screen door far off.
Depended from her pinched thumb, each wing
Came clattering down like a small black shutter.
Still tranquil, she began, “It’s rather sweet ...”
The soft mouse body, the hard feral glint
In the caught eyes. Then we saw,
And recoiled: lice, pallid, yellow,
Nested within the wing-pits, cozily sucked and snoozed.
The thing dropped from her hands, and with its thud,
Swiftly, the cat, with a clean careful mouth
Closed on the soiled webs, growling, took them out to the back stoop.
But still, dark blood, a sticky puddle on the floor
Remained, of all my mother’s tender, wounding passion
For a whole wild, lost, betrayed, and secret life
Among its dens and burrows, its clean stones,
Whose denizens can turn upon the world
With spitting tongue, an odor, talon, claw,
To sting or soil benevolence, alien
As our clumsy traps, our random scatter of shot.
She swept to the kitchen. Turning on the tap,
She washed and washed the pity from her hands.
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